Prolost Store

Supercharged Levels with color pickers, printer lights, more.

Force a layer to snap to integer pixels. Toggle switches let you constrain Position or Anchor Point values, or both.

Set the R, G and B gain using a standard Color Picker control. A very basic color corrector.

Better default settings for the Grid effect, allowing you to easily set the spacing with a single Width slider.

Easy and powerful setup for aiming one layer at another. Learn more.

Easily make a 3D layer's visibility dependent on which side is facing the camera. Learn more.

Draw a customizable arrow on your image. Learn more.

Animate layer opacity with markers. Learn more.

Arrange layers in a row or grid. Learn more.

Animate a 2D layer in X and Y by choosing exactly how many pixels it should move per frame. Learn more.

Shift Channels and Linear Color Key combined to keep the selected color rather than knock it out.

One click neutralizes gray.

Creates a low-contrast grayscale checkerboard.

Set the Grid effect by number of grid cells in X and Y. Learn more.

Intuitively animate audio.

Better default values for the Polar Coordinates filter.

A slick UI with some nice options for everyone's favorite expression, wiggle(). Learn more.

Automate a wipe reveal for VFX breakdowns. Learn more.

Creates a ramp of hues in X.

Creates a black-to-white ramp in X, pinned to the size of the layer.

Creates a white-to-black radial ramp from the center of the layer to the upper left corner.

Creates a white-to-black radial ramp from the center of the layer to the left edge.

The modern, GPU-accelerated Fast Box Blur, with a slider that works like good old Fast Blur. Learn more.

A pair of Channel Combiner effects that convert from RGB to HLS and back, allowing you to do operations in HLS space in-between.

Blacks out the G and B channels, leaving only R.

Blacks out the R and B channels, leaving only G.

Blacks out the R and G channels, leaving only B.

Best thumbnail ever.

Second best thumbnail ever.

Moves the alpha channel to RGB, and sets alpha to full-on.

Replaces the R, G and B channels with the contents of the R channel.

Replaces the R, G and B channels with the contents of the G channel.

Replaces the R, G and B channels with the contents of the B channel.

Replaces the R, G and B channels with the Luminance of RGB.

Uses the Luminance of RGB for the alpha channel.

The same Mosaic effect you know and love, but you can set the size of the blocks in pixels, like a sane person. Learn more.

Default settings and linked parameters turn the Beam effect into a handy line-drawing tool.

Converts log images to linear light using standard Kodak Cineon settings.

Converts linear light images to log, using standard Kodak Cineon settings.

Converts linear light images to the sRGB tone curve.

Converts sRGB images to linear light.

Converts from linear light to Alexa V3 LogC.

Converts from Alexa V3 LogC to linear light.

Converts from linear light to Cineon Log, then emulates a Kodak 2383 film print for sRGB preview.

Converts linear light to Sony S-Log2.

Converts Sony S-Log2 to linear light.

Convert from linear-light to S-Log3.

Convert from S-Log3 to linear.